Susan Collis

art, london, sculpture — Tags: , , , , — daniel @ 6:18 am

Her work is so unassumingly spectacular. She takes typically mundane elements in our everyday environment and in a very quiet way reveals how exceptional they are. I first saw her work at the Seventeen gallery, prostate London. They have a permanently installed piece of hers embedded in the floor.  It looks very much like paint that may have dripped from the ceiling. Upon closer inspection, sale it is revealed to be inlaid mother of pearl. That is the kind of double take that all of her work does to you. Its like a readymade met a new maker. Take a look at the below images  The rawl plugs are all made of jasper, nurse black onyx, red carnelian, garnet and brown goldstone.  “Made Good” – the screw in the wall is made of coral, black onyx, 18 carat white gold, a diamond in the center of the cross-hairs and silver.  Her work is being shown at the V&A for their Out of the Ordinary: Spectacular Craft show. Her work is well situated among a group of other exceptional artists.

All images are borrowed from the Seventeen Gallery’s website

Susan Collis on Wikipedia

Flickr photos of her work

Untitled (rawl plugs)

Made Good

Busy Doing Nothing

Better Days

Brian Dettmer and Georgia Russel

art — Tags: , , , , — daniel @ 5:26 pm

Today we have two people who use other peoples published creations as their canvases. Brian Dettmer produces his exceptional work by allowing the content within the books to suggest forms. The books themselves become sculptural objects and their content is revealed poetically by the artist. This reminds me of Robert Rauschenberg’s Erased De Kooning Drawing – the conceptual piece in which he did exactly what the title suggested… He bought and erased a De Kooning drawing. In the case of Dettmer and Russel (who you’ll see in a moment), adiposity they are not erasing the work of others, epidemic but rather extracting new layers of meaning and representation – previously unseen. All photos of Dettmer’s works from the Haydee Rovirosa Gallery

Georgia Russel has what seems to be a similar initial process in which she modifies a chosen printed source. These she slices up into delicate explosions of fine paper ribs. I prefer the modified flat images more than her books. All photos from the England and Co Gallery.

Antony Gormley & Walter Oltmann

[Apologies for the delay in writing an entry - its been rather manic lately, pilule with a quick trip to South Africa in between!]

 

Today we’ll meet two artists who I feel have similarities, more about but are far from the same.

 

The first: Antony Gormley is a hugely accomplished british sculptor who’s work demonstrates energies and transmutation. His recent show at the Hayward Gallery called Blind Light was just incredible to see. I included a youtube clip at the bottom of this post with a walk through of his show in the US. All photos are taken from the artists website.

 

 

 

The second: Walter Oltmann – one of my old Professors from WITS was having a show at the Goodman Gallery which I was lucky to see during my brief trip to South Africa last week. Great show! I found a number of parallels between Oltmann and Gormley’s work. The pieces on show consisted of wire sculptures and paintings with ink and bleach. I felt like they also dealt with transformation of some kind. There was a series of beetles and their corresponding beetle suit – as if they could be worn and a person could become the beetle. The suits are quite dapper and camp – something one might expect to be worn as a suit of armour by a gentleman. The woven wire Caterpillar Suit (pics below) was reminiscent of Gormley’s Capacitor, Ferment and Expansion (pics above). The one artist seems to make visible potential energy barely contained, while the other ignores that potential and demonstrates the equally important start and end of a transformation. All Oltmann’s photos from the Goodman Gallery’s website.

 

 

 

 

to see the video, click (more…)

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